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Theodore Chasseriau, 1819-1856 by The Metropolitan Museum of Art
Theodore Chasseriau, 1819-1856 by The Metropolitan Museum of Art












Theodore Chasseriau, 1819-1856 by The Metropolitan Museum of Art

The key subjects that variously sustained Picasso's interest-the pensive harlequins of his Blue and Rose periods, faceted tabletops of his Cubist years, classicizing bathers and dreaming nudes of the 1920s and 30s, and the rakish musketeers of his maturity-are amply represented by works ranging in date from a dashing self-portrait of 1900 to the fanciful Standing Nude and Seated Musketeer painted nearly seventy years later. Notable for its remarkable constellation of early figure paintings, which include the commanding At the Lapin Agile (1905) and the iconic portrait of Gertrude Stein (1906), the Museum's collection also stands apart for its exceptional cache of drawings, which despite their importance and number remain relatively little known.

Theodore Chasseriau, 1819-1856 by The Metropolitan Museum of Art Theodore Chasseriau, 1819-1856 by The Metropolitan Museum of Art

Comprising thirty-four paintings, fifty-eightdrawings, a dozen sculptures and ceramics, and more than four hundred prints, the collection reflects the full breadth of the artist's multisided genius as it asserted itself over the course of his long and influential career. more This landmark publication presents for the first time a comprehensive catalogue of the works by Pablo Picasso (1881-1973) in the Metropolitan Museum. This landmark publication presents for the first time a comprehensive catalogue of the works by P. The texts of the essays and entries, as well as the extensive chronology, focus on the artist's personality, his professional and social milieu, and on the works themselves, thus providing an in-depth view of the state of the arts in France in the mid-19th century. This volume presents more than 250 of Chasseriau's paintings, drawings and prints. His oeuvre includes Orientalist and religious paintings, scenes from Antiquity, and portraits, but he is best known for his ambitious decorative compositions for the churches of Paris and for the Cour des Comptes in the Palais d'Orsay.

Theodore Chasseriau, 1819-1856 by The Metropolitan Museum of Art

Although his works fuse Ingres's linear precision with the lush colour and Romantic exoticism of Delacroix, they escape easy stylistic classification. A pupil and precocious disciple of Ingres, he also fell under the influence of Delacroix, and he left his mark on both the second generation of Romantic artists and their Symbolist successors. more Theodore Chasseriau was one of the most sensual and intellectual painters of his time. Theodore Chasseriau was one of the most sensual and intellectual painters of his time.














Theodore Chasseriau, 1819-1856 by The Metropolitan Museum of Art